View Shopping Cart

BUY NOW The Wool Palette by April DeConick

The Wool Palette: REVISED EDITION with STARTER PALETTE RECIPES, 115 pages, step-by-step instructrions for creating 67 kinship colors from three primary dyes, over 60 full color photos and illustrations

Support independent publishing: Buy this book on Lulu.

Rug Show
Followers

Subscribe Now
As Featured In

St. Nicholas Value by Value, ATHA Newsletter 186: 12-13, December 2010/January 2011

 

 

My Creativity Resolution

I will suspend the rules in order to explore
I will explore in order to play
I will play in order to create pieces that express myself
to venture beyond what I have been taught
to open doors I did not know were there
to immerse myself in color and form
to cross over, to prod, to swerve, to jump
where white is not white
where black is not black
where even gray is purple

by April DeConick, March 2010

Ten-Minute Challenge

Click button to join the TEN-MINUTE RUG HOOKERS

ATC Swap

Click to Join the Rug Hooking Daily ATC Swap

Abstract Art Challenge

Click button to join today!

Rug Hooking Daily

Journal Contents
Navigation

Entries in Mixed fabrics (1)

Friday
Oct092009

A sneak peek at a new Red Jack

Got Wool? is a fun and adventurous rug, using alternative fabrics. In the center, there are five separate panels, four of which I have hooked. Each one features a different fabric: polar fleece; crushed velvet; non-wool yarns; and stretch velvet. The center panel will be fleece and roving...but I'm not there yet.

The top border and part of the side borders are mixed non-wool fabrics. In other words, I have taken all the materials from the central panels that are not wool, and I'm using them together in the top border. When I started this border, I was skeptical, because alone, each of the alternative fabrics did not stand up to wool strips in my opinion (neither the process of hooking the fabrics, nor the overall look of the fabrics alone in their squares). But as I am working the fabrics together, the effect is turning out tremendous. The textures and movement of light across the different surfaces is out-of-this-world. This is something that cannot be achieved with wool strips.

So here is a preview of the left-hand corner of the border where I have worked a Red Jack face with acrylic yarns, suede yarns, cotton yarns, crushed velvets, stretch velvets, and polar fleece. What do you think?